WIP: Working at a Snail’s Pace

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This week’s been a bit of a struggle, WIP-wise.  I guess that’s what I get for being so smug about last week’s accomplishments.

My deal with myself is supposed to be that I will write every day—write new material without getting lost in revision and without scooting off into Google-land every time I have a question.  The deal is supposed to be “No research, no planning, no revision, just writing.”

But I didn’t do so well on that this week.  I did a lot of revision.  I did a lot of planning.  And I spent a heck of a lot of time in Google-land.  But actual writing of new material, not so much.  Only four days of actual writing for a total of less than 2500 words for the whole week.  I console myself with the knowledge that I did work on a different story every day, and that most of that work was actually pretty useful.

Writing-wise, the first draft of Eddie’s story is now finished, and I’m truly happy with it.  It was for this story that I spent all that time in Google-land (it’s set in Belgium during WW2), but the time spent was well worth it.  The story wound up taking a couple of twists I wasn’t expecting (don’t you love when that happens?), and they set up some great potential for Chatón’s (his daughter’s) story, which up until this week I had barely even begun to think about.  Now I can’t wait for her name to come up!

Planning:  I did scene cards (a Holly Lisle tactic that my Muse usually balks at) for Emma’s story.  Emma’s and Chatón’s stories are the only two I haven’t even begun drafting yet, and this is the second time Emma’s has come up in the past couple of weeks.  Last time, I did a lot of character and story development, and now, with the scene cards, I think I’ve reached a point where the next time it comes up, I should be able to pound out a good couple thousand words on it–or maybe even get the whole draft done, who knows?  I’m really excited about this one, too.

I also got some revising done on Amelia’s and Tanna’s stories this week, but not as much as I would have liked.  Amelia’s in particular needs some serious cutting.  So now that my Muse has decided she’s willing to do the scene card thing, I think I’ll go back and re-plot Amelia’s story and see what can come out and what just needs tightening.

And finally, John’s story underwent some serious re-conceptualizing this week based on another of Holly’s methods, the Shadow Room, which provided me with a couple of surprising conflicts I hadn’t originally planned on.  Those are going to be fun to write, too.

So all in all, it looks like I’m still on track to have the novel’s entire first draft completed by September 15, as planned.  I may be working at a snail’s pace, but slow and steady wins the race.

Looks like it’s been a pretty productive week after all!

WIP: What a Good Week Looks Like

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I’m behind in the Pot Luck department, and I apologize.  But I’m also going to be behind in the WIP department too if I play catch-up first.  So, today, more or less on time, I’m doing WIP.

And there’s plenty of WIP to talk about.  It’s been a great week!  My Tupperware container (see my WIP post on Job Jar:  “Who’d a Thunk It?”) has become my friend.  Such a friend, in fact, that I’ve taken to calling it Tup.

Thanks to Tup, I’ve made substantial progress on the novel since my last WIP post.  The day I printed out the Eighteen Crossroads ms, I had just under 55,000 words.  Today, I have just under 61,000.  For some writers, six thousand words in ten days isn’t a lot—and even for me, I suppose it isn’t.  I mean, it does only break down to a rather piffling 600 words a day.  But what I’ve done in the past ten days is manage to send my Inner Editor on (what I hope will be a very long) vacation and get my butt in the chair and write.

Every.  Single.  Day.

And that’s not piffle.

In addition to the Butt-in-Chair success, another reason the 600 words a day pleases me so much is that it doesn’t all represent actual writing, since some of what I’ve done this week is revision.  Not the kind of procrastinating, time-wasting revision I so often used to find myself doing, but some very effective revision.  I remind myself that what I have here is a net 600 words a day.

I’m aware that many writing gurus eschew revision while one is still working on a first draft; Holly Lisle is one of them, and I have great respect for her and her methods.  But those gurus’ primary concern, I think, is with writers getting bogged down in unnecessary revision, whereas the revision I’ve done this week, far from bogging me down, has helped to move the book forward, so I’m pretty dang pleased about it.

I’ve also added fairly considerably to four stories this week (Josef’s, Tessa’s, Amelia’s, and John’s) and started three entirely new ones (Stan’s and Daphne’s, both of which I’d been planning for years but had never been able to force myself to sit down and actually start writing before Tup came along, plus an entirely new one for Tanna, which I had never planned to write at all), and I’ve also made substantial headway in my planning for Emma’s and Chatón’s, which are the only two left that I haven’t actually started writing.

But wait, that’s not all!  I also received my copy of The Adventure of Creation this week, and have been reading that, too.  And I haven’t read a single story yet that doesn’t make me feel very, very honored to have had one of my own chosen to be part of this collection.

Oh, yeah.  It’s been a good, good week.

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